IN PLAIN SIGHT
A Memoir Infused With Military Psychological Operations
IN PLAIN SIGHT: A Memoir Infused with Military Psychological Operations
“What if Mars’ nuclear ghosts are screaming a warning—and Earth isn’t listening?”
Jonathan Mark Haber’s life has been a collision with hidden truths. Born in 1950s Brooklyn, he came of age as the assassinations of JFK, MLK, and RFK shattered America’s illusions—igniting his lifelong mission to dissect power. From draft resistance to founding Flyby News, Haber exposes how governments weaponize perception to bury inconvenient truths.
Then came the revelation that rewrote history.
Bart Jordan—a Manhattan Project physicist and NASA insider—revealed a nuclear detonation in Mars’ Cydonia region, home to the infamous “Face” and “Signature Site 10” monuments. NASA data confirmed it: Martian atmospheric Xenon-129 isotopes—at twice the concentration of Earth’s post-nuclear tests—proved a planet-wide apocalypse. But the deeper shock? The monuments’ geometry encoded a warning: the distances of Mars’ moons (Phobos and Deimos—”fear” and “terror”) formed a temple-like formula, a cosmic plea against the abuse of light.
This wasn’t just science. It was a survival manual from a lost civilization.
Interwoven with Haber’s battles against chronic pain, kidney failure, and systemic deception, In Plain Sight bridges memoir and manifesto. It exposes:
The PSYOP playbook (Apollo’s illusions, 9/11’s unanswered questions, COVID-19’s psy-warfare).
Elites repeating Mars’ fatal mistakes—ignoring the *Xenon-129* red flag.
UAPs and nuclear sites: Evidence that something—ancient AI or interstellar guardians—is forcing humanity to confront its self-destruction.
In Plain Sight is more than a memoir—it’s a manual for awakening. Because truth is the first casualty of war, and the first step toward peace. The choice is ours.
Live with Ingram Spark for Bookstore & Library Distribution
Amazon eBook: Just $5 (or FREE for new Kindle readers—claim yours now!
Paperback/Hardcover: For those who treasure the feel of pages.
Introduction:
To decode a life forged in quiet fear requires temporal alchemy—peeling back layers of awakening to reveal the raw truth beneath our illusions of separation. This is not just a memoir. This is an autopsy of civilization’s oldest conspiracy—the one we wage against ourselves. From playing football to attending Woodstock—following violent demonstrations to NASA’s darkest projects, I’ve been a scribe for the doomed, a soldier in the secret war between evolution and extinction.
The evidence is carved in Martian ruins—in the nuclear isotopes baked into its crust, the Xenon-129 that whispers of ancient chain reactions. The choice is ours: wake up, or join the fossils. We exist in a universe bending under the cumulative weight of every choice, every silenced warning in the cycles of cause and effect. These are the end times measured in evaporating seconds, where the pyres of our fear-drunk civilization burn brightest just before extinction.
In 1976—after communes, after Woodstock’s last guitar note, after hitchhiking Canada’s wilderness, after prison doors clanged shut behind me, after standing naked in my underwear before the draft board (they saw only a body, not the war inside)—I began to write. That same year, Bart Jordan, Manhattan Project prodigy turned cosmic cartographer, channeled coordinates for NASA’s Viking mission. Those numbers weren’t just directions to Mars; they were its epitaph. A warning etched in orbital mechanics and radioactive decay: ‘Is Earth next?’
Something monstrous stirred at the edge of consciousness—a metamorphosis unfolding in dimensions beyond our own, preparing to rupture reality’s fragile shell. Bart Jordan, the Trinity Test’s unheralded architect (an eight-year old who calculated the fireball’s spread in milliseconds), now spoke in a new cipher. Under the mantle SAMANAMAS (ancient Greek for timesinger, shaman of the epochs), he fed NASA coordinates as if Mars itself dictated its autopsy.
The numbers arrived fully formed: encrypted in Homer’s epics, Egyptian pyramids, Mayan star charts; humming through sacred geometries and celestial alignments. Every 150 years, beings like Bart emerge to whisper warnings we systematically ignore. True wisdom dazzles—but weaponized light? That breeds echoes, distorting time into endless variations of the same apocalypse.
The prodigy who once reduced nuclear annihilation to equations later traded them for Segovia’s guitar études. From the shadows, he guided NASA to Cydonia’s monolithic face—that Martian monument staring back at Earth with the weary judgment of a civilization that already failed this test. There is poetry in knowing, but only tragedy in doing. Phobos and Deimos (Fear and Terror) orbit like damned sentinels, their paths tracing warnings across the red sky. Break the cycle, or become cosmic dust—just another lesson for the next civilization to disregard or to realize.
My journey mirrors humanity’s stumble toward awareness—through failures, coffee-stained poetry, and nature's exquisite curriculum and inspiration—culminating in my work exposing NASA’s Cassini 1999 plutonium flyby. The revelation was undeniable: nuclear weapons were never the real threat. The danger was, and remains, our species’ suicidal romance with power—the ancient serpent forever devouring its tail.
Can we evolve? Or are we ghosts trapped in history’s feedback loop? Bart’s warning chills: Our future is the past. Yet from Cambodia’s killing fields, Maha Ghosananda whispers: “Every moment births eternity.” There is no escape—only this razor-edge present. The triggers? First, purge the lie we’ve swallowed since 1969—the one staged in a desert soundstage, not the airless void where flags don’t ripple and shadows never bend. Second, decipher Cydonia’s ruins before history repeats. This is our binary moment: collective amnesia or collective transcendence. We will become Martian ash—unless we learn to receive fire from the gods and refuse to let it burn us this time.
IN PLAIN SIGHT is available free to listen to—narrated by the author.
Note under the audio player at following link that it includes the table of contents - with audio times & Page numbers for each chapter:
Draft Narration - IN PLAIN SIGHT - JMH
The audio begins with an improvisation guitar performed by Bart Jordan. He described that this composition came with thoughts of his family. It is called Portrait in D and ends in full after my reading IN PLAIN SIGHT - A Memoir Infused with Military Psychological Operations. [
The cover of In Plain Sight holds deep personal meaning - it features a photograph I took in the early 1990s showing my father, my young daughter, and the home I built by hand from the land's own trees, framed by towering sunflowers. This intimate family moment merges with NASA's iconic 'Face on Mars' image, creating a visual metaphor for the book's central revelation: that profound truths often hide in plain sight, waiting to be recognized. Just as the sunflower turns toward the light, humanity must awaken to the warning encoded in Mars' ruins - a message preserved in stone and confirmed by NASA's own data.